Showing posts with label epic. Show all posts
Showing posts with label epic. Show all posts

Saturday, May 5, 2012

Reading Journal Spring 2012

I'm going to skip the part, for now, where I tell you that shortly after my poison ivy healed up, I helped my friends start a new business, I spent some time working on my manuscript, and then I ended up in the hospital and almost died.

Tales for another time. Here's what I've read!



Dead and Gone by Charlaine Harris. (2009) (Urban Fantasy, Female, Series)
Amazon Blurb: Except for Sookie Stackhouse, folks in Bon Temps, Louisiana, knew little about vamps-and nothing about weres. Until now. The weres and shifters have finally revealed their existence to the ordinary world. And the backlash may have claimed the life of someone Sookie knew well. But her determination to find out who was responsible for the murder is put aside in the face of a far greater danger. A race of unhuman beings-older, more powerful, and more secretive than vampires or werewolves-is preparing for war. And Sookie will find herself an all- too human pawn in their battle...


Thoughts: I definitely wanted a break from the heavier material I'd been reading. Ironically, this wasn't it. This was Sookie experiencing darkness and tragedy and having terrible experiences. While a quick read, this isn't the strongest book in the series. However... please. If you've read this far in the series, you're going to enjoy this. Are some of the cozy, familiar elements missing? Does the story move forward in a reasonable manner? Yes and yes.



Dead in the Family by Charlaine Harris. (2010) (Urban Fantasy, Female, Series)
Amazon Blurb: After enduring torture and the loss of loved ones during the brief but deadly Faery War, Sookie Stackhouse is hurt and she's angry. Just about the only bright spot in her life is the love she thinks she feels for vampire Eric Northman. But he's under scrutiny by the new Vampire King because of their relationship. And as the political implications of the Shifters coming out are beginning to be felt, Sookie's connection to the Shreveport pack draws her into the debate. Worst of all, though the door to Faery has been closed, there are still some Fae on the human side-and one of them is angry at Sookie. Very, very angry...


Thoughts: This was better, and a necessary transition from the tragic events of the previous volume(s) into the reformation of Sookie, the sexy, stubborn, quick-witted, hard-nosed girl that readers (presumably) have grown to love. No matter what, this is good storytelling, just for the record. It's light, fast, and challenging enough. Urban fantasy has the advantage of not having to bog down with epic secondary world building, which leaves more room for character development and plot complications. My goal is to get caught up this series before the time True Blood returns for Season 5. I'm on track and enjoying it thoroughly. 



Kitty Goes to Washington by Carrie Vaughn. (2006). (Urban Fantasy, Female, Series)
Amazon BlurbCelebrity werewolf and late-night radio host Kitty Norville prefers to be heard and not seen. So when she's invited to testify at a Senate hearing on behalf of supernaturals, and her face gets plastered on national TV, she inherits a new set of friends, and enemies, including the vampire mistress of the city; an über-hot Brazilian were-jaguar; and a Bible-thumping senator who wants to expose Kitty as a monster. Kitty quickly learns that in this city of dirty politicians and backstabbing pundits, everyone's itching for a fight.


Thoughts: I didn't intentionally go on an Urban Fantasy bender, it just so happened that I had an Amazon gift certificate and this was in my TBR pile. Second in the series, this book presumably came with a lot of expectations, at the time. Vaughn is an exquisite storyteller, and while she broadened the stage towards the end of the first book, she cements her character's global reach and influence with this one. The story and character get relevant and meaningful in an epic way by the end of this tale. Mostly, however, I read Carrie Vaughn because I think she does a fantastic job of characterizing strong females who are still feminine. Kitty, as a character, while being the expected 'badass' heroine found in this genre, is also intelligent, vulnerable, sensitive and flawed. Kitty is a girl that's portrayed so realistically in contemporary terms (not the whole "I change into a wolf" thing, of course), you nearly expect to turn on the radio and catch her show, when you're done reading.

P.S. Dear Carrie Vaughn, if you ever read this, (Hi!) I think you should pursue doing a movie about female aviators, ala the story you did for the Warriors Anthology. Your sense of what works in a movie is pretty keen, based on your blog, and your approach and knowledge would (and has) make for excellent storytelling. Based upon the hype of the recent movie about the Tuskegee airmen, I think that your vision and writing would tell a story that would be a million times more provocative and appealing. For everyone else, I remind you that I am the Lord of IToldUSo. ;-)


The Winds of Khalakovo (The Lays of Anuskaya) - by Bradley P Beaulieu. (2011) (Fantasy, Male, New Author, Series)
Amazon Blurb: Among inhospitable and unforgiving seas stands Khalakovo, a mountainous archipelago of seven islands, its prominent eyrie stretching a thousand feet into the sky. Serviced by windships bearing goods and dignitaries, Khalakovo's eyrie stands at the crossroads of world trade. But all is not well in Khalakovo. Conflict has erupted between the ruling Landed, the indigenous Aramahn, and the fanatical Maharraht, and a wasting disease has grown rampant over the past decade. Now, Khalakovo is to play host to the Nine Dukes, a meeting which will weigh heavily upon Khalakovo's future.


When an elemental spirit attacks an incoming windship, murdering the Grand Duke and his retinue, Prince Nikandr, heir to the scepter of Khalakovo, is tasked with finding the child prodigy believed to be behind the summoning. However, Nikandr discovers that the boy is an autistic savant who may hold the key to lifting the blight that has been sweeping the islands. Can the Dukes, thirsty for revenge, be held at bay? Can Khalakovo be saved? The elusive answer drifts upon the Winds of Khalakovo...


Thoughts: This was Beaulieu's debut novel, and is getting some additional promotion lately due to the release of the sequel, The Straits of Galahesh. Due to promotional pricing, I read this on my Kindle, but I can't recommend that to you, unless you're better with the technology than I am. There's a notable Eastern European / Russian flavor to the worldbuilding, which is great - except for all the words that you are going to want to look up via the glossary. I liked the magical system, (I'm biased towards Elemental systems anyway); I felt it was complicated, costly, and powerful and bordered on the spiritual as well. Without giving the game away, there were some aspects that I really appreciated. The story was suitably complex and interesting, with reasonable plot twists and turns. There was some decent character development, perhaps with room for more - which is the downside of a debut novel which also begins a trilogy... there has to be room for the character to grow. I think some of the secondary characters were overly idealized, a little two-dimensional, but again, this has room in the storyline to be addressed. Overall, even with some slow parts here and there (and strange words aside), this was an enjoyably fresh take on the genre - the worldbuilding alone is worth further exploration. I suspect those who are looking for something different in epic fantasy would be pretty well pleased with Beaulieu's debut.




The Games - By Ted Kosmatka (2012) (Science Fiction/Horror, Male, New Author, Stand Alone.)
Amazon Blurb: This stunning first novel from Nebula Award and Theodore Sturgeon Memorial Award finalist Ted Kosmatka is a riveting tale of science cut loose from ethics. Set in an amoral future where genetically engineered monstrosities fight each other to the death in an Olympic event, The Games envisions a harrowing world that may arrive sooner than you think.

Silas Williams is the brilliant geneticist in charge of preparing the U.S. entry into the Olympic Gladiator competition, an internationally sanctioned bloodsport with only one rule: no human DNA is permitted in the design of the entrants. Silas lives and breathes genetics; his designs have led the United States to the gold in every previous event. But the other countries are catching up. Now, desperate for an edge in the upcoming Games, Silas’s boss engages an experimental supercomputer to design the genetic code for a gladiator that cannot be beaten.

The result is a highly specialized killing machine, its genome never before seen on earth. Not even Silas, with all his genius and experience, can understand the horror he had a hand in making. And no one, he fears, can anticipate the consequences of entrusting the act of creation to a computer’s cold logic. 

Now Silas races to understand what the computer has wrought, aided by a beautiful xenobiologist, Vidonia João. Yet as the fast-growing gladiator demonstrates preternatural strength, speed, and—most disquietingly—intelligence, Silas and Vidonia find their scientific curiosity giving way to a most unexpected emotion: sheer terror.


Thoughts: This was received for Librarything.com's Early Reviewer program. I'll just say I loved it, and would be reading a lot more sci-fi horror if they were all like this. It will get its own post here within the week.

Update: Review is here: http://zherlios.blogspot.com/2012/06/games-by-ted-kosmatka.html

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Well! I've been putting this post off for weeks! I'm sorry if the descriptions are somewhat rough, but I felt it was better to get it written and out of my head. I'd be happy to go into more detail about these books if anyone wants to chat about them.

While I'm recovering from - "things" - and getting back on track, I suspect my posting to be curtailed to about once a week. Please feel free to soak up the links on both sides of this blog, for entertainment and good book ideas and other such random fun stuff. Til the next.

Monday, March 19, 2012

The Way of Shadows - Brent Weeks


The Way of Shadows (The Night Angel Trilogy) - Brent Weeks. (2008) (Fantasy, Male, New Author, Series)


Blurb from author's website:


The perfect killer has no friends. Only targets.
For Durzo Blint, assassination is an art. And he is the city’s most accomplished artist, his talents required from alleyway to courtly boudoir.
For Azoth, survival is precarious. Something you never take for granted. As a guild rat, he’s grown up in the slums, and learned the hard way to judge people quickly — and to take risks. Risks like apprenticing himself to Durzo Blint.
But to be accepted, Azoth must turn his back on his old life and embrace a new identity and name. As Kylar Stern, he must learn to navigate the assassins’ world of dangerous politics and strange magics — and cultivate a flair for death.
Back to reading fantasy, and the gritty stuff is like having a beer with an old friend. Despite the size of the book, I burned through it in pretty short time.

Probably by coincidence, my last few reads have all contained rape. I'm beginning to feel a little inundated with what defines "dark fantasy" - while I'm sure that sexual abuses are part and parcel of the more realistic depiction of a medieval setting - I'm not sure it's working as well as it could. But that's a small concern here, overall. Most of what's floating in my head is more tragic storytelling, and so it only makes sense that's what I'm reading and encountering.

Overall, this is an excellent tale. Weeks keeps the action going, taking his characters through hell and then beating them up some more. I particularly liked that the protagonist starts as weak and fearful, and by the end, he's come into his own confidence and power. There was a nice mix of world building, of balanced magic, of strong personalities and character development.

I definitely see myself continuing on with the series, though I find myself, at the moment, craving something lighter.

Any of you read this yet? What did you think?

Monday, February 20, 2012

Chronicles of the Black Company by Glen Cook

It's a safe bet these days that if I'm not blogging, I'm reading. Lots. Last week, I returned to the former job I had, that of "small town bartender" - that and everyone in my house being afflicted by some curious stomach ailment - which has slowed me down somewhat, pending a readjustment to my scheduling and activities.

This is where I get my reading goals caught up - for this was actually three books in one. Speaking of which, instead of labeling my posts "reading journal", I'm going to do this instead. Easier to glimpse and decide if you want to read it. Housekeeping and navel gazing, woo hoo!

Chronicles of the Black Company - Glen Cook. 2007. (Male, Fantasy, Series, New Author)

Darkness wars with darkness as the hard-bitten men of the Black Company take their pay and do what they must. They bury their doubts with their dead. 
Then comes the prophecy: The White Rose has been reborn, somewhere, to embody good once more….
The three stories of the omnibus (as seen on the cover) are The Black Company, Shadows Linger, and The White Rose. While probably not the intention, I thought the first one was superior to the ones that followed.

This was straight up epic military fiction. The best description of it came from Steven Erikson's back cover blurb which reads, "Reading his stuff was like reading Vietnam War fiction on peyote."

The narrative voice was excellent - if you've ever watched a military movie, there's always some old general who does a voice over monologue, and that's how I heard it. Sharp, dry, chopped language. Some things get explained, some things don't. A lot of self-deprecation... it's that alpha male voice that looks back and says, "I coulda done that better."

Very entertaining. And despite it being primarily a military fiction, there were a great number of fantastic elements (flying whales, talking rocks, prophecies, and more) and plenty of magic. The magic was more LoTR than Codex Alera*, but this was balanced by making the practitioners relatively mortal, if not hard to kill. Moreso, the theme of The Black Company, as a military unit, was to use guile to force the enemies to make mistakes, so magic had a role and a place, and did not instantly solve the problems they faced.

Glen Cook is one of those authors that gets a lot of mention on book review blogs. I can see why. He created a solid world, with a memorable cast of well-developed characters. The stories were very fast with lots of gritty action. Having said that, this wouldn't be everyone's cup of tea, leaning more towards a Joe Abercrombie** notion on the fuzzy vs gritty scale. This much action, in a military setting, inevitably leaves less room for character development and warm fuzzies at the ending.

However, Chronicles of the Black Company wasn't all doom and gloom, and it certainly wasn't as dark as Abercrombie or GRRM. Mind you, while the omnibus edition came out in 2007, the original stories came out in 1984 and 1985, so this was absolutely pretty dark and gritty for back then.

Overall, I enjoyed it, though. Glad I read it and I'll be returning to read more of it in the future. Solid characters, interesting world, and a stimulating pace. I'm a better writer for having read this.

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* & ** - I'm not doing book reviews, but I can't really help but to measure things on a scale.

On the magical realism scale, I'd place Lord of the Rings and Harry Potter on one end as the most unrealistic. Wave your fingers, chant a funny word, and something wonderful happens. On that end, magic has more to do with your age and/or destiny.

On the other end of the scale, I'm using Jim Butcher's Codex Alera as a good, balanced, realistic, magical system. In a balanced system, everyone has access to magic, it requires study and practice and it has notable costs and limitations. (Magical realism is all the buzz in bloglandia lately - probably deserves its own post.)

The other scale is the Fuzzy vs. Gritty scale. I'd use LOTR as one end of the scale again, where everyone pretty much grows up and lives happily ever after, the much more wiser for their adventure. The other end of the scale belongs to Joe Abercrombie, where sometimes the bastards win and the heroes get killed. Also, the amount of doom, gloom, blood and generally unacceptable social conditions.

I may have to rework those ideas somewhat. I'm open to suggestion.

Monday, February 6, 2012

Reading Journal | 2-6-2012

Got about a hundred pages further into my January non-fiction, but alas, didn't finish it. I think, also, the nature of the topic. Perhaps this week I'll finish it.


Kushiel's Justice (Kushiel's Legacy) - Jacqueline Carey. 2008. (Epic Fantasy, Female, Series)
Imriel de la Courcel's blood parents are history's most reviled traitors, while his adoptive parents, Phèdre and Joscelin, are Terre d'Ange's greatest champions. Stolen, tortured, and enslaved as a young boy, Imriel is now a Prince of the Blood, third in line for the throne in a land that revels in beauty, art, and desire. 
After a year abroad to study at university, Imriel returns from his adventures a little older and somewhat wiser. But perhaps not wise enough. What was once a mere spark of interest between himself and his cousin Sidonie now ignites into a white-hot blaze. But from commoner to peer, the whole realm would recoil from any alliance between Sidonie, heir to the throne, and Imriel, who bears the stigma of his mother's misdeeds and betrayals. Praying that their passion will peak and fade, Imriel and Sidonie embark on an intense, secret affair. 
Blessed Elua founded Terre d'Ange and bestowed one simple precept to guide his people: Love as thou wilt. When duty calls, Imriel honors his role as a member of the royal family by leaving to marry a lovely, if merely sweet, Alban princess. By choosing duty over love, Imriel and Sidonie may have unwittingly trespassed against Elua's law. But when dark powers in Alba, who fear an invasion by Terre d'Ange, seek to use the lovers' passion to bind Imriel, the gods themselves take notice. 
Before the end, Kushiel's justice will be felt in heaven and on earth.
Incredible read. I ripped through 880 pages in a matter of days. The friend who introduced me to Jacqueline Carey, through Kushiel's Dart (book 1 of 3 in the first trilogy of this ongoing, epic series), noted that her interest fell off with Imriel as the protagonist. When I wrote about the previous entry in this series, back in December, I spent more time praising Carey's skills as a writer and the effects of her prose on my mind.

In the middle book in this second trilogy, Carey's prose continues to shine, soothe, and entertain. This entry is much more provocative than the tales have been in awhile - a welcome change, because expressing sensuality is Carey's absolute finest talent as a writer.

Imriel is of age, and Carey takes him to task. His journey and plight is unbelievably harsh, which made for great storytelling. While the author does an amazing job of portraying well-rounded, intelligent and strong female characters, her men tend to be a little flat or a little too perfect. She's getting better as the books progress, and did quite well with some of the male secondary characters (Maslin and Mavros, in particular, I felt stayed true to their character arcs). Perhaps Imriel is somewhat too circumspect for a man his age - no matter how brilliant and gifted we are, it's hard to imagine an 18 year old boy making all the right decisions for the right reasons. But I guess that's why they become heroes and we read their tales.

Overall, I love the story, and the next (Kushiel's Mercy) becomes a "must read" even though there can be little doubt what will happen in the big plot - the enjoyment of Carey is reading the words that describe how it all comes to pass. Beautiful storyteller.

For her skill in soft, intimate, provocative storytelling that still manages to engage blood, battle, magic, heroic journeys and political intrigue, I can't recommend her enough.

Viewing Journal:


I found Spartacus: Gods of the Arena on sale during Black Friday 2011, and it sat on my DVD shelf undisturbed since. I am revising some fight and battle scenes in my WIP, so this past week seemed a good time to go ahead and take a look.
The House of Batiatus has towered above the city of Capua for many years. Spartacus: Gods of the Arena will explore its deadly history before the arrival of Spartacus, and the death he carried with him. Loyalties will be tested, lives shattered, and battles waged in this thrilling prequel to Spartacus: Blood and Sand.
For the sake of continuity, I imported my review of Spartacus: Blood and Sand, and simultaneously provide you with a reason why I don't review things for a living. Fortunately, back then, my blog had a couple readers who endured my ridiculous analyses.

Anyway. I didn't realize S:GoA was only 6 episodes. The realization made me sad. The other thing that made me sad was one of the major subplots was all about Crixus, the monotone gladiator who was easily the least convincing character on the screen (maybe in the world).

However! Lo and behold, the experience of a full season behind them - the chemistry and storytelling between the actors, directors and producers in this second season was clearly evident. Since it's a prequel, the viewer already knows how it's going to turn out - but - the telling was very good. Quite a few "ooh ahh" moments as pieces of the puzzle come together.

Production wise, they toned down the homoerotica without hiding either the not uncommon period homosexuality nor the prevalence of sweaty, oily, slave men. In other words, they found their target audience without being dishonest about the reality of ancient Rome.

Also, it's rather curious how the villianous Batiatus' of Season 1 become almost sympathetic as the viewer learns how and why they become what they did. There's something quite charming about an antagonist with depth. 

While there's a megaton of info dump in the first episode, the story picks up well and steams to its conclusion by the end of the sixth hour. You could probably watch the first episode twice, and catch all the nuances - I didn't, because the accents and dialogue and 'telling' made me feel like I was at Shakespeare in the Park.

Overall, Starz' upped their game with this, and showed the ability to take the concept a little further. S:GoA was a strong improvement over the first season. This will never compete with the budget or complexity of The Borgias or A Game of Thrones, but I think it stands well enough on its own as indulgent, fast-paced visual entertainment, reflecting a time in history when troubles were settled with less complications.

*

What have you read or watched this last week that's worth noting?

Monday, January 30, 2012

Reading Journal | 1-30-2012

I know I said I'd do it weekly. I GUESS I LIED. (Or, I didn't read anything last week.)


I know I also said I was reading Marquise de Sade, but I can't read that type of prose at this stage in my editing and revisions. So that's shelved for now.

In related news, I got a late Xmas gift of a KINDLE. Which means I get all sorts of new variety in my non-fiction and classic fiction, which enhances my TBR pile significantly. In a good way. I'm excited.

Here's what I've read this past fortnight.

The Warded Man - Peter V. Brett. 2009. (Epic Fantasy, New Author, Male, Series)


From the Amazon page: 
"As darkness falls after sunset, the corelings rise—demons who possess supernatural powers and burn with a consuming hatred of humanity. For hundreds of years the demons have terrorized the night, slowly culling the human herd that shelters behind magical wards—symbols of power whose origins are lost in myth and whose protection is terrifyingly fragile. It was not always this way. Once, men and women battled the corelings on equal terms, but those days are gone. Night by night the demons grow stronger, while human numbers dwindle under their relentless assault. Now, with hope for the future fading, three young survivors of vicious demon attacks will dare the impossible, stepping beyond the crumbling safety of the wards to risk everything in a desperate quest to regain the secrets of the past. Together, they will stand against the night." 
I was pretty excited to finally get this - it's educational to see what publishers (especially big ones like Del Rey) are looking for in debut novelists. As debut novels go, this was pretty strong. The worldbuilding was elaborate and very well-construed.

It was a curious thing to watch the children become adults - something that we don't see enough of in this genre - but I'm not sure I was ever truly concerned for their life, despite plenty of opportunities to cheer or gasp for the protagonists.

The magic system (of wards) is excellent - perhaps the best part of the world-building, and the story is told well enough such that you're not asking, "Really? No one thought of this or that before now?" (Well, some might.)

The next book in the series is The Desert Spear.

- and -

Last Argument of Kings - Joe Abercrombie. 2008. (Epic Fantasy, Male, Series)




Back cover:
The end is coming.
Logen Ninefingers might only have one more fight in him-but it's going to be a big one. Battle rages across the North, the king of the Northmen still stands firm, and there's only one man who can stop him. His oldest friend, and his oldest enemy: it's time for the Bloody-Nine to come home.
With too many masters and too little time, Superior Glokta is fighting a different kind of war. A secret struggle in which no one is safe, and no one can be trusted. As his days with a sword are far behind him, it's fortunate that he's deadly with his remaining weapons: blackmail, threats, and torture.
Jezal dan Luthar has decided that winning glory is too painful an undertaking and turned his back on soldiering for a simple life with the woman he loves. But love can be painful too-and glory has a nasty habit of creeping up on a man when he least expects it.
The king of the Union lies on his deathbed, the peasants revolt, and the nobles scramble to steal his crown. No one believes that the shadow of war is about to fall across the heart of the Union. Only the First of the Magi can save the world, but there are risks. There is no risk more terrible, than to break the First Law...

Mr. Abercrombie can weave a dark, fantastic tale. If there's anyone out there talking about "dark, gritty, realistic fantasy" - they're comparing it to him. Had I not read the trilogy to its beautifully honest conclusion, I would never have believed that any author had the talent to take absolutely villainous miscreants and make them sympathetic. The cost of war, the cost of choices, the cost of dark magic - everything handled brilliantly, fairly. Characters are seen through to the end: nothing is as it seems, but it's quite exactly as it should be.

Prose, worldbuilding, plot - all excellent. Characters stumble, grow, fail, get beat up, grow some more.

Also, confession: I'm jealous of the dialect and prose of the Northmen. It's perfect. I want it in my head.

Could I read 50 books like this? No, no, no. But I'll be reading more Abercrombie, or rereading this series. Because sometimes fairies and miracles and magic swords DON'T save the day. Not for the faint of heart whatsoever, but if you hear people talking about 'dark fantasy' and want to see exactly how it should be done? Start here: The Blade Itself: The First Law: Book One . Thank me afterwards.

*

This week - Non-fiction, and something light in fiction. Have to tinker with the Kindle, dontcha know?

Saturday, December 31, 2011

Reading Journal | Carrie Vaughn, Charlaine Harris, Jacqueline Carey

Well, here it is, the end of 2011, and to tidy up my sense of what I've achieved, and what I need to strive for, here is the final bit of my reading journal, the books I finished before the clock struck midnight.

Definitely Dead (Sookie Stackhouse, Book 6) - There was a hiccup in the smooth flow of the continuing storyline here. It didn't trouble me overmuch, but the short story "One Word Answer" will fill in the gaps in Sookie's plotline, for those of you following along.

All Together Dead (Sookie Stackhouse Series, Book 7) - Bestseller Harris mixes humorous Southern-fried fantasy with biting satirical commentary in her seventh novel to feature Sookie Stackhouse, the bubbly telepathic barmaid from Bon Temps, La. (after 2006's Definitely Dead). Sookie attends an all-important central U.S. vamp summit on the shores of Lake Michigan as a "human geiger counter" for Sophie-Anne Leclerq, vampire queen of a Louisiana weakened by Katrina and who will be tried during the event for murdering her king. Sookie knows the queen is innocent, but she's hardly prepared for other shocking murders, not to mention protests by the Fellowship of the Sun, a right-wing antivampire movement. Her sleuthing skills, along with those of her new telepath friend, Barry the Bellboy, are put to the extreme test. Harris juggles a large cast, including several romantic contenders for Sookie's heart, with effortless exuberance. HBO's True Blood, based on this addictive series, is scheduled to begin its TV run this fall.

I can't say too much that I haven't already said. The series is keeping my attention. Harris is a skilled writer, and it's not likely that I'll stop reading them at this point. However, it is what it is - light, brisk, fun, escapist literature. Are there global themes and character developments and other such literary aspirations? Of course. But mostly, it's entertainment. And that's what storytelling should be.

By the end of this year, I was intent on mixing it up. Keeping with my theme of female authors...

Kitty and the Midnight Hour (Kitty Norville, Book 1) - Kitty Norville is a midnight-shift DJ for a Denver radio station?and a werewolf in the closet. Her new late-night advice show for the supernaturally disadvantaged is a raging success, but it's Kitty who can use some help. With one sexy werewolf-hunter and a few homicidal undead on her tail, Kitty may have bitten off more than she can chew...

I've been wanting to read Carrie Vaughn ever since I read her piece in the Warriors anthology last year. THIS book, I finished in a day. I don't know if it was the story pace or the smoothness of Vaughn's writing style, but the pages flew by. Vaughn is smart and witty, which I had guessed; and I also confirmed that her ability to represent the inner workings of the female mind is amazing.

Of course, by the time all was said and done, it was time to get back into fantasy fiction, and one female author I always enjoy is Jacqueline Carey. After burning through these 300 page urban fantasies, picking up a 960 page epic - well, that's what I read this past week, finishing up Saturday afternoon.

Kushiel's Scion (Kushiel's Legacy) -  Imriel de la Courcel's birth parents are history's most reviled traitors, but his adoptive parents, the Comtesse Phedre and the warrior-priest Joscelin, are Terre d'Ange's greatest champions. Stolen, tortured and enslaved as a young boy, Imriel is now a Prince of the Blood; third in line for the throne in a land that revels in art, beauty and desire. It is a court steeped in deeply laid conspiracies...and there are many who would see the young prince dead. Some despise him out of hatred for his mother, Melisande, who nearly destroyed the entire realm in her quest for power. Others because they fear he has inherited his mother's irresistible allure...and her dangerous gifts. As he comes of age, plagued by unwanted desires, Imriel shares their fears. When a simple act of friendship traps Imriel in a besieged city where the infamous Melisande is worshiped as a goddess and where a dead man leads an army, the Prince must face his greatest test: to find his true self.

While I wouldn't recommend starting off with this book, it holds its own as the beginning of a new trilogy with a new protagonist. Kushiel's Dart is where it all begins, and I would suggest starting there.

I can't say enough good things about Carey. Her prose is beautiful, the world-building is exquisite, and her voice is so smooth and sweet, it's like having a naked woman whispering in your ear and telling you the story (while feeding you grapes).

As fantasy fiction goes, this departs from the norm. It's not as rich in political intrigue as GRRM, but close. It's certainly not crude or direct sword and sorcery. There is magic, and it's powerful and mysterious and delicately flawed. The plots are adept, and while not entirely linear, they aren't difficult to anticipate.

As a male author writing about manly things, it's sometimes easy to overlook those subtle nuances of human frailty, and that's something that Carey expresses so well. In the genre of fantasy fiction, capturing sensuality is often failed miserably, and here again, Carey is outstanding.

Some may say that the story is slow, languid like a lazy river, and that wouldn't be untrue. But in the telling of epic tales, I can appreciate the immersion into the character's life and thoughts, and the slow, gradual growth of the troubled child into a young adult with a little experience and wisdom beneath their belt. The story leaves one wanting for more, even after nearly a thousand pages.

In a holiday week where I found myself heartsick, homesick and agitated, this deep escape into Jacqueline Carey's delicious, smooth, sensual and beautiful story was exactly what the doctor ordered. It became its own homecoming, a return to epic fantasy, and was just what I needed to end 2011.

Monday, November 7, 2011

Reading Journal, Fall 2011

Sometime this past summer, I put all of my books into storage... thinking that it wouldn't be in there long.

Boy, was I wrong. And then I've been busy. The last few months, I've read less than at any time in the last couple years. Shame on me.

Moving right along.

R. Scott Bakker, The Darkness that Comes Before (The Prince of Nothing), Book One.

From Amazon:

Strikingly original in its conception, ambitious in scope, with characters engrossingly nd vividly drawn, the first book in R. Scott Bakker's Prince of Nothing series creates a remarkable world from whole cloth-its language and classes of people, its cities, religions, mysteries, taboos, and rituals-the kind of all-embracing universe Tolkien and Herbert created unforgettably in the epic fantasies The Lord of the Rings and Dune. It's a world scarred by an apocalyptic past, evoking a time both two thousand years past and two thousand years into the future, as untold thousands gather for a crusade. Among them, two men and two women are ensnared by a mysterious traveler, Anasûrimbor Kellhus-part warrior, part philosopher, part sorcerous, charismatic presence-from lands long thought dead. The Darkness That Comes Before is a history of this great holy war, and like all histories, the survivors write its conclusion.
This book took me about a month to read. Bakker is a graduate philosopher, and it's obvious within the first 50 pages that this is not a light read. That's not a criticism - it is what it is. The characterizations, story arcs, and world building were all quite entertaining, and adroitly executed. The prose and the thematic elements are very dense, however.

It's not a tale for everyone. I found myself thinking quite a bit of Steven Erikson when reading this, though Bakker's style is somewhat different. It's perfect, in my opinion, that Erikson did the cover blurb. Fans of Steven Erikson would absolutely love this first book of the Prince of Nothing series.


George R.R. Martin, A Dance with Dragons.

From Amazon:

In the aftermath of a colossal battle, the future of the Seven Kingdoms hangs in the balance once again--beset by newly emerging threats from every direction. In the east, Daenerys Targaryen, the last scion of House Targaryen, rules with her three dragons as queen of a city built on dust and death. But Daenerys has three times three thousand enemies, and many have set out to find her. Yet, as they gather, one young man embarks upon his own quest for the queen, with an entirely different goal in mind.
To the north lies the mammoth Wall of ice and stone--a structure only as strong as those guarding it. There, Jon Snow, 998th Lord Commander of the Night’s Watch, will face his greatest challenge yet. For he has powerful foes not only within the Watch but also beyond, in the land of the creatures of ice.
And from all corners, bitter conflicts soon reignite, intimate betrayals are perpetrated, and a grand cast of outlaws and priests, soldiers and skinchangers, nobles and slaves, will face seemingly insurmountable obstacles. Some will fail, others will grow in the strength of darkness. But in a time of rising restlessness, the tides of destiny and politics will lead inevitably to the greatest dance of all. . . .
Dubbed “the American Tolkien” by Time magazine, George R. R. Martin has earned international acclaim for his monumental cycle of epic fantasy. Now the #1 New York Times bestselling author delivers the fifth book in his spellbinding landmark series--as both familiar faces and surprising new forces vie for a foothold in a fragmented empire.
Undoubtedly the most highly anticipated release of 2011, Martin's 5th installment in A Song of Ice and Fire finally brought us up to speed on all those characters missing from A Feast for Crows. More exciting, of course, with the debut of HBO's A Game of Thrones.

What can I say that hasn't been said? If you're this far along in the series, you're not going to quit reading it now. I think some of the reviews were generous, to be honest. But, in fairness, Martin's worst stuff is still much better than most of what's out there on the fantasy shelves.

Dragons has everything you've come to expect from Martin. Beautiful prose, story complexity, character growth and intrigue, and of course, realism, grittiness, grey morality, and death. It's amazing storytelling, and Martin is as good as people say he is.

However, for those who have been waiting years for this... the overall storyline hardly advances. Originally, he had meant to skip ahead five years in the story, and one of the reasons that he did not was because of the convergence of characters around Daenerys, the infamous Meerenese Knot. As a result, the pace within is glacial, and by the end of the book, barely anything has truly happened at all (and most of that takes place in the last 300 pages).

Some reviews were citing this as one of the best books in the series - I have to disagree. A Storm of Swords remains the strongest, without question. Dragons is on par with A Feast for Crows, in my opinion, and perhaps slightly better because the favored characters are present and the landscapes are more diverse.

The reality is ... it doesn't matter. You're going to read it if you've read this far. You're going to wonder and worry about who dies and who gains the throne, and what mischief Tyrion or Arya will get into. It could be years before book 6, but at least we have the HBO series to keep us entertained.

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George R.R. Martin, Gardner Dozois, Songs of Love and Death: All Original Tales of Star Crossed Love

I've been picking at this one for months. It didn't resound with me as well as their other anthology, Warriors, did. I guess I was expecting more of a series of Shakespearean tragedies, and therein lies the flaw of an inexperienced author doing book reviews.

Love and tragedy go hand in hand in fiction, and this short story collection was poised to meet my ideas of how that should be. That's not to say the stories weren't good - they were excellent, if not unusual or unexpected. The Jim Butcher and Jacqueline Carey stories alone were worth the cover price of the books, juicy cherries for fans of their respective epic series.

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That's all I've got for now. It's been a long while since I've posted about any of my reading experiences, and rather than procrastinate and postpone as I've been doing, it was time to just do it.

I've got some non-fiction sitting on my stack, (ancient Rome material, if you must know), but I feel the need for something lighter and I'm debating whether or not to read Charlaine Harris... or maybe you can suggest something?

Thursday, November 3, 2011

Movie Trailers | Immortals, Underworld 4: Awakening

Just the week that I was going to get back to building content on this 'ere blog, I, uh, sliced my thumb open at work. The right thumb. You can laugh, it's funny.

Two movie trailers have me excited - one of them I just found out about a few moments ago.

This first one comes out next week - unfortunately, it's coming out the same day as Elder Scrolls: Skyrim (my most anticipated game release of the year) - let's face it, I'm far more likely to play video games than go out to a movie. Sad, but true. I see myself getting this on DVD for myself as a Xmas gift.



The synopsis, from their official site:

Visionary director Tarsem Singh and producers Gianni Nunnari (300), Mark Canton (300), and Ryan Kavanaugh (The Fighter) unleash an epic tale of treachery, vengeance and destiny in Immortals, a stylish and spectacular 3-D action adventure. As a power-mad king razes ancient Greece and threatens to destroy mankind, a heroic young villager rises up against him in a thrilling quest as timeless as it is powerful.

The brutal and bloodthirsty King Hyperion (Mickey Rourke) and his murderous army are rampaging across Greece, demolishing everything in their wake with ruthless efficiency. Village after village falls to Hyperion's legions and each victory takes him one step closer to his goal: unleashing the power of the sleeping Titans to vanquish both the Gods of Olympus and all of humankind.

It seems nothing will stop the evil king’s mission to become the undisputed master of the world, until a stonemason named Theseus (Henry Cavill) vows to avenge the death of his mother in one of Hyperion’s raids. When Theseus meets the Sibylline Oracle, Phaedra (Freida Pinto), her disturbing visions of the young man’s future convince her that he is the key to stopping the destruction. With her help, Theseus assembles a small band of followers and embraces his destiny in a final desperate battle for the future of humanity.

There's some striking similarities between this, Clash of the Titans, 300, Troy, even Starz Spartacus, but I don't care. I love it.

Greek mythology is rich with tales that beg to be retold. This one seems even better, in the sense that it's about Theseus and Hyperion, who are less frequently referred to when people talk about the classical period.

In short, big thumbs (heh) up for doing mythology (always good for the genre), bigger thumbs up for doing a story that hasn't already been told too many times. To make it flashy, sweaty, and half-naked... eh, if it gets people into the genre of the fantastic, then it's all good.

*

The second one, however, for me, is 'must see'... if for no other reason than Kate Beckinsale in that outfit. HOT!



I don't know that 3D is necessary, but I guess that's the direction more movies are taking. Frankly, it just feels like another way to get a few more bucks out of the customer for those funky glasses.

This one has a Milla Jovovich / Resident Evil vibe to it... here's the plot outline from their facebook page, you can see what I mean.

After being held in a coma-like state for fifteen years, vampire Selene (Kate Beckinsale) learns that she has a fourteen-year-old vampire/Lycan hybrid daughter, Nissa, and when she finds her they must stop BioCom from creating super Lycans that will kill them all.
Mmhmm. The effects in the trailer look to be what I've come to expect from the Underworld series, dark and gritty, and Kate as the action heroine pleases me. I know everyone's tired of werewolves and vampires, but the Underworld franchise has always gone its own way, with more of a classic view on the creatures and realistic implications in terms of socio-political perspectives.

In short? Yay!!

Tuesday, July 12, 2011

Positive reviews for A Dance with Dragons so far..

Amidst the chaos that is my domestic life these days, I received the confirmation email from Amazon that A Dance with Dragons shipped this week. After what, six years, the long-awaited sequel will be in my grubby hands hopefully by this weekend!

About the time I will be moving. Again. Ha.

I don't know if there's anyone who is this far into the series who actually will NOT order the book at one point or another, but it's nice to know that the reviews have been fairly positive.

Especially when contrasted with A Feast For Crows. I'll be honest, I was a little disappointed with the first read of AFfC, for reasons cited frequently. Brienne's and Samwell's arcs read like a travelogue, Cersei was not a sympathetic character, Sansa was a passive character, and overall the events and characters portrayed were not the ones that were the most compelling and interesting in the story frame.

The second read of AFfC changed that for me, as I grew an appreciation for what Brienne and Sansa and Sam were observing - especially after reading The Hedge Knight last month. Arya/Sandor and Brienne/Pod are reminiscent of Dunk/Egg in some aspects. Fitting, considering Samwell's arc and the demise of Aemon Targaryen.

If you want to read the reviews before you get the book, or if you're like me, and want to read the reviews just out of morbid curiosity, here's some good starting points.

A Dribble of Ink, unsurprisingly, has beat me to the punch with this idea. As well he should. He had a few I was unaware of, which I'll mix in here.

Jo Walton, on the Tor.com blog.

Jace Lacob, at The Daily Beast.
This is, one could argue, a tale of hubris, heartbreak and horror, a world out of balance where death itself is not an ending, and which threatens to swallow up those more fixated on the game of thrones than the true battle for the survival of man.

Lev Grossman, for Time Magazine.
The complexity of Martin's design ensures that we experience the struggle for Westeros from all sides at once. It's as if he's trying to show us that every fight is both triumph and tragedy, depending on where you see it from, and everybody is both hero and villain at the same time.

Remy Verhoeve, for The Wall Street Journal.

Publishers Weekly, as I recall, broke the first review several weeks ago. This one has been called a little spoiler-y, though it didn't offend me much.

Pat's Fantasy List has his review here, as well as the story behind how he inspired a character in the novel who meets a grisly death. (9/10)

The Wertzone has a review here. Adam is probably one of the most knowledgeable sources of Westeros material that I have stumbled across on the internet. (4.5 stars)

Charlie Jane Anders did a review over at IO9.

All in all, A Dance with Dragons is moving, thrilling, horrifying and thought-provoking — and a propulsive continuation to a series that might have seemed like it was losing forward momentum. By the time you put this book down, you're left with no doubt that this story is racing towards a definitive ending, with only two books (or a mere 2,000 pages!) left to go. Some things happen in this latest book that you've probably been waiting for since Book One, and some huge mysteries are resolved.

Chris Y, SF/F buyer for Borders, on their blog (spoiler free).
I loved the pacing of this book. There is a slow buildup to an explosive finish. The last 100 pages are absolutely intense, and there are some game-changing events near the end of the book.

Rachel Brown gives a brief review, followed up by a GRRM interview for The Atlantic.

Jeff Vandermeer gave a heads-up for his LA Times review last week on his facebook page.

James Poniewozik, who covered the HBO series, did a second review for Time Magazine.

Chris Barsanti, for Barnes and Noble.

Steve Bennett, for My San Antonio. (Mild spoilers.)

Bill Sheehan, for The Washington Post.
Filled with vividly rendered set pieces, unexpected turnings, assorted cliffhangers and moments of appalling cruelty, “A Dance With Dragons” is epic fantasy as it should be written: passionate, compelling, convincingly detailed and thoroughly imagined.

That seems like enough, hmm?

Overall, the reviews seem to be positive, with some complaints about the story overlap (which was to be expected), resolved/unresolved puzzles (there's two more books - from an author's perspective, the puzzles should get answered when they become most relevant), and some cliffhangers. What, suddenly GRRM is going to NOT leave us with cliffhangers? I thought everyone was watching HBO...

Less frequently, comments on rambling and/or need for editing. But, truly, anyone who has read the first four volumes comes to expect a certain amount of Martin's stylistic immersion. Clothes, heraldry, feasts - none of those are things that necessarily forward the plot, but it allows the reader to experience the protagonists' stories. (Notably, this was a question in The Atlantic interview.)

Will I do a review? No, I don't do reviews anymore, per se. I'll share some thoughts when I finish. While Martin is an excellent storyteller and I'm as thrilled as other fans by the book's release, his is also a style that allows immersion, escape and above all else, complexity.


Reading GRRM is a strong lesson in how to combine lush prose with intelligent, adult fantasy fiction. For that reason alone, he will always be a must-read for me.

Sunday, June 26, 2011

HBO's Game of Thrones, Season 1

Been a little busy this week, but truly what can be said that hasn't already been said? No, really... check it out.

Winter Is Coming - Episode 10 Recap Roundup

For what it's worth, I was extremely pleased with the season finale - in fact, as far as I'm concerned, it was the best finale of the year on television. (Yes, I'm still grieving over the idiocy of the House season ender.)
There's no one like me.
Hit me with that rock again, and I'll still talk smack.

Joff, our favorite bastard, count your blessings
that you didn't get stuck with the other sister.
As noted last week, the characters (love 'em or hate 'em) have grown into their roles, and for those viewers not familiar with GRRM's brand of brutality - well, I think going into season two, it has been established that no one is safe.

I like to kill fat boys!
Summarily, as far as the season goes, most of my thoughts were shared last week. But what we're looking at is a strong cast of unexpected characters (so many children actors), each now with enough screen time to warrant viewer sympathy and emotional investment, all going into season two with increased stakes - in an environment where no one is safe.

There was a lot of "sexposition" in Season 1 - and while sex and violence are a big part of what occurs in Westeros, Season 2 - based on A Clash of Kings (A Song of Ice and Fire, Book 2), shouldn't require as much background information. Clearly, there's going to be war and the political machinations shouldn't necessarily require hooker scenes to pull off. We'll see.

There's been a lot of positivity regarding the CGI dragons - and I agree, they were well done. But again, the role of the dire wolves becomes increasingly relevant to the story of the Stark children, and I hope that in this filming, they give the pups some more screen time. Which, to their credit, they did manage in the final episode. It's symbolism, it's a magic that can't be ignored, and can't be focused exclusively on the dragons, because that's only one story arc amongst several.

Some puzzles remain for the viewer to chew on in the next several months, and despite what's been done in other fantasy stories, one shouldn't think that baby dragons are anything but a novelty at this point. Dany has no army, the dragons are vulnerable, and meanwhile all the rest of Westeros is armed, ready and marching. This will take awhile to unfold. Even if there are Targaryen loyalists, she still has to get to them (before they get killed under some other banner).

That would be the dilemna, from one perspective, if GRRM were a simple man. But he is not.
Before I digress, a funny or two.






And my favorite feature on WIC, Twitterers gone wild.

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HBO's motives are clear. Convert this best selling fantasy series into something that will translate into subscribers and merchandise sales.

Long before the first episode aired, I told anyone else who would listen that the significance of the success of this series had a potential impact on publishing.

We've seen how True Blood and Twilight gave rise to urban fiction, to the point where agents and publishers were saying "enough vampires already" by last year.

We've already had a successful Lord of the Rings movie trilogy - and The Hobbit (part 1 of 2) is set to release in December of this year.

This should mean a huge boom for the epic fantasy literature genre. I'm counting on it. Martin is not a prolific author, Tolkien's film adaptations will likely end in 2013, and that's going to leave a void for people who want more.

While the success and quality of A Game of Thrones (as well as Peter Jackson's film projects) are great in entertainment value alone, the bigger picture suggests that this is only the beginning of a huge spike in the popularity of Elves, Dragons, Dwarves, Knights and magic.

Tuesday, June 14, 2011

Reading and Watching, June 2011

I'm going to be busy for a couple days, so I thought I'd go ahead and put up my latest reading journal.


Between the ending of House, Borgias, and Game of Thrones (forthcoming Sunday), I've kept my eyes peeled for some summer television shows for when I take a break from reading/writing.

Covert Affairs, USA. Season 2. In the "true confessions" department, I admit that I don't watch this sort of thing (I was never sold on Matt Damon as an action hero. These are the same folks who did the Bourne Identity series), and that the only reason I watched was because I've had a crush on Piper Perabo since her role in Coyote Ugly.
And in Season One, she wasn't entirely convincing in the role. However, by the end of the season, the story got interesting, and she was handling herself better in the action sequences. S2E1 was hit and miss with the action editing... the car scene was amateurish, unfortunately.

But, who cares? Sexy girl and a fun espionage storyline. They kicked off the season with a bang, rebooting the disappearance of the love interest Ben, got her back into the field bucking the system, and above all else, the supporting cast and story arcs are being nicely handled. I'm looking forward to the season.

White Collar, USA. Season 3. Guilty pleasure. I like the Ocean's Eleven vibe. I think they kicked off this season well, with Neal Caffrey (played by Matt Bomer), appearing to slide back into his old ways. What can I say, I'm a fan of the anti-hero, and between him and Mozzie (Willie Garson), it doesn't get more "unlikely savior". It'll be interesting to see how far they take the "this is the white whale of cons" arc, but all the same, it's off to a good start.

Burn Notice, Psych, Royal Pains. USA Network has the best summer line up on television. But, I don't watch THAT much TV.

I picked up The Hedge Knight - Second Edition [Graphic Novel] last week, as I find myself more and more excited by not only HBO's series, but also the release of A Dance with Dragons next month. Beautiful art, and of course, a great story within. Fascinating to read the prequels in light of all the buzz about A Song of Ice and Fire, and really, George R. R. Martin tells a good story.

It was only afterwards, while looking for the next novella (I've already read the third installment, The Mystery Knight, in the Warriors anthology), that I learned that The Hedge Knight (1st) and The Sworn Sword (2nd) were released in other anthologies. (Legends: Stories By The Masters of Modern Fantasyand Legends II: Dragon, Sword, and King, respectively.) I'm going to have to go back and get those now, because as much as I enjoyed the art, I love GRRM's prose and I want to read every detail of the prequel stories. (For those of you who have read through AFFC, you'll understand the interest in Dunk and Egg.)

While I'm on the topic...
- Win an autographed copy of ADWD.

Annnd, on the topic of epic stories brought to HBO - what about I, Claudius? (Nice catch, Adam!) That is also gonna be must see tv for me.

Turns out, in the Songs of Love and Death anthology that I've been reading, there's a huge easter egg for fans of Jacqueline Carey's Kushiel's Dart. Anafiel Delaunay's backstory! He and Rolande.

And finally, to complete my reading journal, I started upon R. Scott Bakker's Prince of Nothing series, with The Darkness that Comes Before (The Prince of Nothing). I must say, and I'm not alone in this (based on the review blogs I read), that this is NOT a quick read.

I find it a little fitting that Steven Erikson does the cover blurb on this version, because after two pages, Erikson is exactly who I thought of. The styles are different, yes, but the density of the prose is similar.

Having said that, I'm 131 pages in and enjoying the story. At this point, though, I could only recommend this if you are a fan of Steven Erikson.

Oh, and while we're talking about R. Scott Bakker, three very esteemed book bloggers joined forces and did this interview of him recently.

That's all I've got for now. What are you reading?